Lyrically, the material on the album focuses on themes of love, frustration of life, loneliness, and individualism. The album also includes a hidden track on the song "Who.", which is the album version of " Kanariya". Some of the singles on Loveppears had been remixed and re-composed, including " Fly High" extended versions of " Whatever", "Too Late", " Appears" and a revised version of " Love (Destiny)", which was re-written and titled "Love: Refrain". The album includes two instrumental tracks: "Introduction", which was composed by HΛL, and the "Interlude" song that was composed by Naoto Suzuki. Loveppears was noted by critics as Hamasaki's first transition from her "cautious" pop rock style in A Song for ××. Recording sessions were handled at Prime Sound Studio, Studio Sound Dali, and Onkio Haus in Tokyo and at Soundtrack Studios in New York City the final material was then mixed at Studio Sound Dali and Conway Studios in Los Angeles, and mastered by Eddy Schreyer at Oasis Masterings. Īvex Trax hired Japanese musician Max Matsuura to produce the entire record, along with Hamasaki and Japanese musician Naoto Suzuki's help, while Hamasaki wrote every song on the album. This transition into mainstream dance music made Hamasaki recruit new composers and producers for the then-upcoming studio album, including Japanese dance band HΛL, Do As Infinity member and composer Dai Nagao, and Kazuhito Kikuchi, amongst others. ![]() The record marked the beginning of the incorporation of music elements outside of her pop rock sound, including trance, house and electronic music. However, her record label Avex Trax decided to release a remix album titled Ayu-mi-x. Background and composition Īfter the success of Hamasaki's January 1999 studio album A Song for ××, she began writing songs for her next studio album. "Loveppears" currently ranks as the 40th highest selling Japanese album of all time. She performed most of the songs on her 2000 Japan concert tour. ![]() The majority of the album's material were promoted through Japanese commercials, which later became a staple for Hamasaki's future work, and some songs appeared on various remix albums conducted by Hamasaki. " Boys & Girls" and the extended play A sold over one million units, a first for Hamasaki. One of the singles, " Love (Destiny)", became her first single to top the Oricon Singles Chart, other singles were able to reach the top ten. To promote the album, Hamasaki released 11 singles. It was certified twice Million by the Recording Industry Association of Japan (RIAJ) for physical shipments of two million units, and is Hamasaki's third highest selling album based on Oricon Style's database, The album was nominated for the Asia Association Music Prize Awards. Commercially, the album was a success in Japan, reaching the top of the Oricon Albums Chart and eventually sold over 2.6 million units there, placing it in the top 50 of the best selling album in that region. ![]() Many of those highlighted the singles as some of her best work, and complimented the transition from Hamasaki's previous pop rock-inspired music to dance. Upon its release, Loveppears received favorable reviews from music critics. Musically, Loveppears is a dance album and lyrically focuses on themes of love, frustration of life, loneliness, and individualism. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. It was released in Japan, Hong Kong and China on November 10, 1999, through Avex Trax and the China Record Corporation, and distributed worldwide on April 10, 2001, by Avex Entertainment Inc. Loveppears (stylized as LOVEppears) is the second studio album by Japanese recording artist Ayumi Hamasaki.
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